The Unevacuated

It’s over anyway so fuck it, right?
I mean, who cares about bromeliads,
or dace, or honeybees beset by mites
when apex predators are dropping dead
like flies from recontaminated air.
Let’s break the small batch top shelf liquor out,
unseal expensive potions and prepare
for charnel house and offal pit.  Some doubt
but none object for fear of seeming wrong,
forever shunned by decent company.
We’re one misstep from permanent disgrace,
alone on islands of apology,
feign penitence to save ancestral place.
Fire hastens down the vale.  It won’t be long.

Image by Ricardo Gomez Angel on unsplash.com, licensed under CC 2.0.

George Witte:

The idea for “The Unevacuated” emerged from accounts of people who refused to leave their homes despite wildfire, hurricane, flood, or other natural disaster—more frequent than ever as the climate responds to our various depredations. The poem’s opening line is both cynical and despairing; indeed, why bother? Best to sit tight and wait it out, whatever may arrive, rather than alter course in even the smallest or most sensible way. That fear of exile, of dispossession, makes stasis more appealing than change. While progress is being made toward abating the circumstances we have brought upon the planet and ourselves, the daily dose of bad news can make anyone want to shelter in place.

As to composition: the first drafts of the poem were a mess, but over revision and compression I settled on a modified sonnet form as the best way forward. “The Unevacuated” isn’t a traditional (e.g. Shakespearean or Spencerian) sonnet, but the rhymes and meter helped me focus a lens and find a voice for the poem.

George Witte
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